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St John the Baptist

Historical Background

The original church was a corrugated iron structure known locally as the ‘Tin Tabernacle’. It was erected in 1904, across the road from the present building. It soon became obvious that a more solid structure was required and the prestigious church architect, Sir Ninian Comper, was commissioned to draw up plans. The original plan to replace the ‘Tin Tabernacle’ was the first of two designs which Comper carried out, the first prior to the Great War, the second, the present church.In August 1928 the Bishop of Moray wrote to Comper stressing that the maximum sum for everything in the proposed church, including fees and church furnishings, could be no more than £2,850. Comper’s eldest son conducted most of the correspondence and visited the site on behalf of his father, but Comper himself wrote: “I have made every effort here to build a remarkably cheap church but one which has character” and has “dignity coupled with the greatest simplicity”., and in fact “I look upon what we are building for the sum at disposal as rather a miracle…”

The foundation stone was laid in 1913 but building was delayed due to the Great War; however, after the War funds were insufficient to complete the church to his original design. Sir Ninian modified his plans and the result is this beautiful little church with its groin vaulted ceiling and simple white interior, referred to by the architect as his ‘little gem’. The building was completed in 1930 and consecrated on 26th July 1931.
Comper’s lifetime interest was the liturgical significance of the altar, and all his churches are designed ‘from the altar outwards’. St John’s, though uniquely small and simple, is typical of this.

The rose damask baldacchino (the canopy above the altar) and the altar frontal were renewed in 1982, woven by Pallu & Lake, and expertly copied from the architect’s original colour and design, which includes Sir Ninian’s ‘signature’ of a strawberry. This was often included in the corner of the many stained glass windows he designed but was not possible in the windows of St John’s, which are all of clear glass so that they do not interfere “with the glory of the surrounding trees”. (See item on Ninian Comper)